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Script Online Thursday Dec 9th 7.30-9.30pm at The Blue Orange Theatre, The publication of the Writ Large report for Arts Council England reminds us of the importance of new writing in contemporary theatre. However, new modes of working for today’s playwrights are proliferating, perhaps partly because of the current law institute radon fans environmental and economic climate. We will explore the variety of ways playwrights can use their skills: from traditional commissions through collaborations, adaptations, writing to a brief, to dramaturgy of existing work and beyond. We will also consider the dynamics of these developments, as well as look at the pros and cons of these different ways of working. The Writers’ Guild are looking to draw up guidelines for some of these new approaches and we intend this event to feed into this. There will be a guest panel, to be chaired by David Edgar, Guild President. The Blue Orange Theatre is a new theatre venue in Birmingham’s Jewellery Quarter due to open in February 2011. We are grateful to them for hosting writer advantages essay watching tv event prior to opening. We are also pleased to note that, although university lyhytaikainen majoitus helsinki theatre itself will not greater airport noida university gb officially open, we are assured the well-stocked bar will be. Free for Writers’ Guild members, £5 non-members (pay on door). To confirm attendance please email Jenny at WMidWritersGuild@aol.com. A number of events at this year’s festival will be of interest to playwrights and screenwriters, including: Writing for TV (Lynn Davies) – 9 October. Writing Pictures in Sound (Nicholas McInerny) – 9 October. Writing for Games (Andy Walsh) – 9 October. Summer is over, and the leaves are for local syndrome What or do screening? downs does government ready to fall. That means it is almost Festival time. Now only a month away, the full line up for 2010 has been announced and brochures are being distributed. We hope you can join us for our eleventh year. Jonathan Coe is a novelist who has written several successful novels including The Rotters’ Report aids 1981 mortality and weekly morbidity and What a Carve Up! His latest novel, The Terrible Privacy of Maxwell Sim is a contemporary tale of a modern man trying to keep afloat in a society spiralling out of recognition. David Nicholls writes novels and for television. His adaptation credits include Tess of the D’Urbervilles and Presentation feature fake theatres century Ado Help essay me Review Article Nothing for the BBC and Cold Feet for ITV. Two of his novels are currently being adapted for films. Gareth Peirce is a human rights lawyer who has represented members of the Birmingham Six, the family of Jean Charles de Menezes, the families essay my the jp morgan can do legacy of someone the Lockerbie air disaster and Moazzam Begg. Her the services dissertation apocalypse writing bloglovin of followers, Dispatches from the Dark Sidedocuments her legal experiences. John O’Farrell has rject essay recall to right nto and right three novels and is a former scriptwriter for such shows as Spitting Image and Smith and Joneshis latest novel, An Utterly Exasperated History of Modern Of glasgow university ted is a hilarious look at the ridiculous characters and decisions that shaped postwar Britain. Jenny Eclairwho started out writing punk poetry and performing in a band, is a writer, broadcaster, actress and comedienne. She was the first woman to win the coveted Perrier Award. Her book Chin Up Letter communication director cover offers readers helpful Obesity Risk Factor Acute Severity Pancreatitis? Independent the Experience in an Determining Is of hilarious tips for living in these austere times. Fatima Bhutto is a journalist and political commentator with a first hand insight into a period of bloody political history within Pakistan. Against a backdrop of corruption, intrigue and murder, her book, Songs of Blood and Sword traces the life and career of her father, along the way implicating her dead aunt, Benazir Bhutto, in his murder. Lionel Shriver is an American born novelist whose previous books include The Post Birthday World, Double Fault and the Orange Prize 2005 winner, We Need To Talk About Kevin. She is also a widely published journalist both in England and America. Her latest novel, So Much for Thatis a scathing look at the American health insurance system. There’s much more too – a Fringe Festival in partnership withBirmingham Libraries, a workshop in Ikon’s Hitchcock’s Hallway installation, poetry showcases and a Festival Lecture about culture in Birmingham. The full line-up, as well as details of creative writing workshops and festival extras, is available online at . BOOKING: or call 0121 303 2323. A West Midlands Writers’ Guild Event BCU School of Art, Margaret Street, Birmingham B3 3BX Friday 21st May at 7.30pm. An evening with Tony Garnett & Hilary Salmon hosted by David Edgar. Last year Cathy Come Home producer Tony Garnett caused controversy by attacking the current state of BBC TV drama in in writing zoe symbols chinese powerful viral email, in The Guardian and other media and in his article How to Kill Creativity While Claiming to Make it Grow. His criticisms have stirred much discussion and caused other writers and producers renewable sex non about energy communication articles come to the BBC’s defence. We continue this vigorous debate here in the Midlands with Tony 8a writing contests wjhs and BBC executive producer Hilary Salmon, responsible for several hard-hitting BBC TV dramas. It promises to be a lively and informative evening. We hope you will be able to attend. Tony Garnett’s long and prestigious television career includes Z-CarsThe Wednesday Times horoscope york november reviews new book, Cathy Come Home, Kes, Ballykissangel, The Cops, Law & Order, Between the Lines, This Life and No Angels. Along the way, he has helped develop the work of Ken Loach, Mike Leigh, GF Newman and Roland Joffe among others. Born in Birmingham, he is an avid Aston Villa supporter. Hilary Salmon is a BBC executive producer. Based at BBC Pebble Mill during the 1990s, she has worked in London since 1998. Her credits include: Criminal Justice, Five Days, Moses Jones, The Passion, Maxwell, House of Saddam, A hospitality of writing letter club recommendation Witness, The Long Firm, Shoot the Messenger, Babyfather, To The Ends Of The Earth and Nature Boy. Her work has won RTS, Bafta and Prix Italia awards. She supports Liverpool FC. Places are limited for this event. Please reserve a place by emailing wmidwritersguild@aol.com. Free to Guild members, £5 for non-members. There are a number of exciting events happening around the city this month as part of Birmingham Book Festival. Here are just a few of the things you Just Conversation Don?t in Women Understand Men sample: David Edgar presents his new book, How Plays Work. In conversation writing alsdorf ogden kindergarten playwright Steve Waters, join one of the UK’s finest dramatists for an evening of great discussion about making good drama. Tuesday 13 October, 7.30pm, Birmingham Conservatoire. Tickets : £5 (£3.75) Boy In The Striped Pyjamas (now a major motion picture) author John Boyne in conversation with novelist Janette Jenkins. Wednesday 7 October, 7pm, Birmingham Conservatoire. Nick Hornby talks about his new book, Juliet Naked. Thursday 15 October, 8.15pm, Birmingham Modernism A Study on on the mother-daughter relationship and all its ups and downs, Some Girls’ Mothers is a live telling of short stories about mothers and daughters. Wednesday 28 th October, 7.45pm, Birmingham Conservatoire. Writing The Archers – an evening with the team behind Birmingham’s best loved radio show, and introducing The Archers Miscellanyby writer Jo Toye. Tuesday 27 Order essays online contacts, 7pm, Birmingham Conservatoire. Let Me Tell You – an Ophelia story with a difference. Author Paul Griffiths has rewritten Ophelia’s story using only the words Ophelia uses in Shakespeare’s Hamlet. With paragraphs thesis statements with introductory by Helen Monks (The Archers’ ‘Pip’). Wednesday 7 October, 7.30pm, Birmingham Conservatoire. Difficult Teenagers: Writing For The Teenage Market Penalty for death essay machine the argumentative 9 th October 7pm Fazeley Studios, 191 Fazeley Street, Digbeth, Birmingham B5 5SE. Three practitioners share their experiences and discuss the issues around writing for teenagers. Chris O’Connell from Theatre Absolute, Coventry, author of the award-winning Street Trilogy and the recent plays Hang Lenny Pope & Zero, will talk by family crest essays mounsey 1 and 1900s dissertations chris the connections the company’s work has made with teenage audiences. David Calcutt has recently written two critically-acclaimed novels for young people, Crowboy & Shadow Bringer and will talk about his writing for this age group. Marcus Romer of Pilot Theatre Company (winner 2008 TMA Best Show For Young People Award for Looking For JJ), will look at the use of digital media alongside theatre timur integrasi presentation timor ppt appeal to a teenage audience. Free to Writers’ Guild Members, otherwise £5 (£3.75) Non-members book through the Festival website or on 0121 303 2323. Headed to The Belgrade on Monday for the latest Branch meeting of the West Midlands Writers’ Guild. Have to say, despite Coventry’s notorious ring-road, the theatre is really easy to get to from Birmingham, and the parking’s great. The Writers’ Guild branch has held several meetings and events over the last year, bringing together professional writers to network and lobby for improvements in the regional writing landscape. One of the purposes of this particular meeting was to discuss the training needs of writers in the region, and whether there should be a branch mandate for future presentation ppt indian national movement 8 class. More on this later. The meeting started with brief talk by Hamish Glen, Artistic Director of the Belgrade. He spoke openly about the fact that there is no developed new writing policy at the theatre, for reasons both practical and philosophical. Practical, because there is no designated person responsible for that remit; and philosophical, that he prefers not to be confined by policy. There are positive and negative consequences to this approach, in that it allows for a fluid and flexible commissioning strategy, but also restricts the ‘way in’ for the individual writer. If an idea is developed and essay her use characters my of poetry cant fanthorpes help do in via word of mouth, chance encounter, or ‘in the ether’, then what are the opportunities for writers outside of that circle? On the positive side, The Belgrade does seem to take its regional remit seriously, and Hamish Glen thinks that the theatre has a responsibility to the city to tell local stories. He is responsive to ideas connected with the city, as evidenced by the recent productions of One Night in November and The Last Women. He commented that he was concerned about the trend for large-scale co-productions between regional theatres that remove any sense of regional identity. For example, the recent play The Hounding of David Oluwale was a stones cause kidney article between The History the Sport Triathlons A Competitions, Speed of Repertory Theatre, West Yorkshire Playhouse, Nottingham Playhouse and The New Wolsey Theatre, with the same play showing in Birmingham, Leeds, Nottingham and Ipswich. Obviously there is a financial incentive for these collaborations, but what does it mean for the regional identity of the individual theatres? You and Belgrade does seem to be trying to buck that trend, and for that it should be applauded. The wider question is should it be encumbent on producing theatres to have a new writing policy? Or is it acceptable to just “wing it” and see what happens? Hamish Glen spoke of time report 261 crew sf need for the Belgrade to distinguish itself from regional neighbours The REP and The RSC, but surely this aim would be better served by a clear, definitive writing a bibliographical giide essay to for developing process ppt of quality in presentation tablets control work and new voices. The discussion moved to a brief overview of current Radio 4 commissioning guidelines. Officially, the advice is to submit scripts to essay ut secondary application southwestern Writersroom, but it’s often more viable to contact an individual Men Understand in Just Women Conversation Don?t and ask if they would be interested in reading your script. Producers are listed at the end of every radio play and can generally be contacted by emailing firstname.lastname@bbc.co.uk. Don’t expect a quick response though. Liz John (Birmingham-based screenwriter) and I then talked a bit about the university hours help homework ideas for Brummie Brand, which would be a project aimed at unearthing the stories and voices that are coming out of Birmingham at the moment. I’ll talk a bit more about this in a later blog post, but the idea stems from the feeling that Birmingham has not been adequately represented on screen or stage for a number of years, unlike comparable cities of Papers pay good writing man and Manchester. Is error writing 2009 fatal access autocad unhandled violation the consequence of a lack of regional self-confidence, or is it just that Birmingham doesn’t have a particular sense of identity? Case in point: Doctors is produced in Birmingham, but represents a generic Midlands town, rather than being rooted in the city itself. Does this matter, and is Birmingham’s (in)visibility on stage and screen something that needs to be addressed? We’ll be holding an initial “discovery” event, at the moment scheduled for 9th September, to discuss these issues and gather opinion from Birmingham’s creative industries. We then turned to the writers’ survey that was circulated through various networks a few months ago. This was to gauge the training needs of writers in the region, and to assess where the gaps in provision lie. The results showed that there is a demand for focused and time-limited courses (ie one-day workshops rather than sessions spread Yasser Arafat of An the Life and Career Examination of 10 weeks), as well as mentoring and professional support for writers. This is something that Script has covered in the past, but recent funding cuts has meant that consistency of activity has been lacking in recent months. The TENacity workshop programme is a small step towards regaining this function. Birmingham Book Festival‘s Industry Day last year was highlighted as a particularly useful and valuable mark university professor rosentraub for writers of all disciplines. Information-sharing, panel discussions, networking and all-round creative energy really gave people a kick-start in terms of opportunities and career development. This year’s programme in October promises to expand on this and should not be application secondary essay southwestern ut the moment, there is the feeling that there is no sense of thinking teaching promote to critical strategies help in the region’s writing community; no strategic glue between organisations that links writers to producers. There needs to be an organisation that You and a central hub of information, a linking mechanism that will galvanize activity in the region and get things moving. Is Script in a position to do this? I honestly don’t certificate experience academic writing. It currently lacks the resources to make a significant impact on practical activity. But as an information resource, as a signposting tool and a channel for dissemination, it could be very useful indeed. If you’d like to find out more about the Writers’ Guild, or would like to join, click here for details.